Visions Of The Mystic East, Part Two

Thanks to everyone who read the first installment of my sojourn in Taiwan. Part One described culinary adventures; this entry will explore the spiritual side, which left a deep, inspiring imprint on my imagination. Taipei is a city of sometimes startling contrasts, where ancient folkways in the older parts of town are a world apart from the trendy district shadowed by the towering spire of Taipei 101. Hub and I visited as many temples as we could, and our friend T. C. Yuan  took us to even more, far from the beaten tourist track. The photos featured here were taken by me; click on them for a larger view. For Part Three, click here.

T. C. announces himself to the world beyond this at the Confucian Temple. The prevailing belief system in Taiwan mingles many teachings, creating a uniquely independent view of one's relationship to the divine. There exists no formal notion of a church in its Western sense: no stipulated assemblies, no specified hours of worship, no sermons, no hymns, no commandments, no dress code. Temples can be devoted to the Buddha, Confucius, the traditional Chinese gods, or all three together. One visits a temple for as long as it takes to ask the intercession of the higher powers or to commune with a loved one; there are no seats, but padded boards allow worshipers to kneel in comfort as they pray or cast oracle blocks.

 

Offerings at Longshan, one of the oldest temples in Taipei and thronged at all hours. My first visit there was at night, and the place was packed. Even though it was right next to a train stop and across from a busily trafficked shopping street, once I passed through its gates I entered a different plane of reality. I'll never forget the gold-drenched splendor glowing in the light of red lanterns, the otherworldly fragrance of jasmine and incense rising on the warm spring air, the clatter of moon blocks (bwa bwei), the soft floating strains of meditative music, and the sense of feeling at once utterly transported, and completely at home.

Flower offerings at Longshan: small bouquets of jasmine and other blossoms attached to paper saucers, sold by vendors outside the temple gate.

Well-worn moon blocks. One asks the gods a question, takes a pair of blocks at random and throws them on the temple floor. If the result is one flat side and one curved, then the answer is yes; two flat or curved sides down means try again. Three throws per question is usual.

 An exquisitely folded paper basket full of flowers, set atop a temple plinth as a decoration.

Offerings at the highly frequented temple of Gong Kuan, who is both the god of literature and the god of war. Note the beribboned pyramid of Taiwan Beer in the foreground. Both deities and departed loved ones receive gifts, usually of food, drink, or flowers; some temples accept meat offerings.

Another view of the lavish offerings at Gong Kuan temple. A small donation buys a paper bag full of gifts for the gods: candles, incense, snacks, and joss money. Shops outside the temple sell more offerings. It's an eye-widening display, at once a symbol of life's impermanence and the human need to connect with a realm beyond this flawed reality.

Rituals are as simple or as complicated as one feels necessary, but T. C. kindly showed me the customary method of visiting a temple. One enters, takes a bundle of incense--which is always available, abundant, and free--lights it, and makes a tour of the altars, starting with the one belonging to the principal god. After some moments of homage, a stick of incense is left in the burner of each shrine. This one is dedicated to the Buddha of the Four Directions, originally a Hindu deity.

A joss oven--very restrained in design--part of a temple complex. Paper 'god money' is burned not only in ovens like this one, but in metal barrels made for the purpose and found everywhere in Taipei's older, traditional neighborhoods.

A sidewalk offering table displayed by a local business to insure the favor of the gods. Offerings are left out for a few hours, then brought back indoors after the deities have enjoyed their essence. The red and gold stack of paper at the upper left is joss, which in addition to being produced in enormous quantities and sold for next to nothing is made not by machine, but by hand.

Here was a high point. We'd visited the Raohe night market, one of the most crowded we'd yet seen, with two lanes of one-way-only pedestrian traffic hemmed in by shops and divided by a long row of food stalls and tables packed with friends and families enjoying themselves; there wasn't even room for the usually ubiquitous motor scooters. T. C. (visible in the right foreground) promised us a surprise at the end, and he stunned us with this temple. It had four stories, and was more dazzling/elaborate/marvelous than any other we'd yet seen, which by this time in our visit was saying a great deal.

An altar to the God of Examinations at the Raohe temple, with offerings of test papers, snacks, and other items more unlikely. Some of them put me in mind of a favorite night market delicacy, scallion pancakes.

One of the unique features of the Raohe temple were the big decorations of  silk and wire lantern sculptures that seemed to float from every floor over the courtyard, many of them featuring playful tigers for 2010. This flower arrangement caught my eye.

 

A balcony on the way up the hundreds of steps leading to a very special temple on Taipei's outskirts. T. C. guided us to this wonderful place, and we felt privileged to be able to see it. The day was thick with mist, lending an air of exotic mystery that was quaintly dispelled by the down-home organic neighborhood atmosphere around the sacred precinct: kids running about playing, people snacking at the nearby outdoor eatery or shopping for amulets, and dogs perfectly welcome.

The third and concluding part of Visions will describe Taipei's modern side, as well as some noteworthy sights outside the city. I really enjoyed writing this entry, although it took a while to complete because of the hundreds of snapshots that I needed to sift through, and the photoshopping necessary for the chosen ones. Thanks for reading!

Ja ne,

CK

Visions Of The Mystic East, Part One

Note: Click the photographs twice for the biggest view. Part Two is here.

I've been busy since my last entry. This was the most traveled summer I've had in a long time, and it started early. For three amazing weeks in May I drank in the extraordinary energy, spiritual depth, and pervasive civility that make Taiwan unique in the world. Enter the dragon...

The Taipei experience would certainly have been far less eventful had Hub and I not been fortunate enough to be shown the city by our friend T. C. Yuan of the Institute of Physics at Academia Sinica. Not only did T. C. introduce us to fascinating places and wonderful delicacies we'd otherwise never have known about, he did so with patience, charm, and stamina. Xie-xie ni, T. C.!

T. C. at the Chiang Kai-shek Memorial Gardens.

Taipei is huge, with a vast population, but the principles of Confucianism and Buddhism go very deep. During the three weeks I was there, I noticed some surprising, extremely pleasant things about the city. First, there are no 'bad areas.' You can go anywhere in safety, any time of the day or night. The subways are marvels of pristine efficiency, and people actually line up politely to board. There's no homeless problem. Cars don't blast thump speakers, and graffiti doesn't seem to exist. Young people seem happy and purposeful. Education is highly esteemed, and courtesy is endemic. There's no custom of recreational drinking; public intoxication is virtually unknown. Children and the elderly are treated with touching kindness and respect. I hope none of these things ever change.

Because many people agree that one of the most memorable parts about travel to exotic places is the food, this entry will focus on the cuisine of Taipei, and the ways and places I enjoyed it. I'll be posting a second entry later about Taipei's many other fascinations, and some sights outside the city.

Since the climate's hot and muggy, people like to go out in the evening when things cool off, and they throng the night markets, which are another of Taipei's notable features. Eating is a popular activity, as can be seen from this picture taken at Taipei's biggest such market, Shihlin.

Above, traditional night market cuisine. Although I sampled and enjoyed many of the wares, I have to admit I never tried one of the most touted offerings, stinky tofu; I couldn't manage to get close enough to taste it. Seriously, it's got a pong you can detect a block away, but braver souls than I insist it's delicious. Maybe next time...

Night market fruit. Taiwan is famed for its fruit, and this particular stall had some of the best I've ever tasted. I particularly recall the melt-in-your-mouth mangoes; the fragile yangmei berries that I'd never seen before, dearly love, and can't get in the U.S. because they don't travel well; and the crunchy, juicy wax apples that deserve a much more appetizing name. I'm sure I'll eventually learn to savor durian; Hub adored it.

Culinary adventures:

One of Taipei's thousands of hard-working independent food vendors. Sidewalks are crowded with stalls selling all kinds of food and drink, from early morning until into the wee hours.

Another takeaway stall, at a covered morning market.These do a brisk trade until the lunch rush ends, after which they shut up shop. Morning markets sell everything from food to clothing to housewares to jade jewelry, at bargain prices. I had an enthralling time exploring them, and although I was always the only Westerner there, no one seemed to notice save to smile in welcome.

A visit to world-famous Din Tai Fung is de rigeur for any Taipei stay. In the steamer are the restaurant's signature delicacy, crab roe dumplings; T. C. has just enjoyed one of them. The restaurant features charming waitresses in crisp uniforms, and a big window on the kitchen lets you admire the impeccable skill that goes into making those little gems of edible art.

Pearl tea (or bubble tea) is a uniquely Taiwanese beverage: a tall cup of sweet cold milky matcha (there are variants, but matcha was my favorite) with a thick layer of pearl tapioca at the bottom, black from previous simmering in caramelized sugar. A wide-gauge plastic straw allows the tapioca to be slurped up along with the drink. It's addictively delicious, and oh, how I miss it. My favorite purveyor was Ten Ren, a chain of tea shops where you can be treated free of charge to a gracious ceremonial tasting of rare island Oolongs in delicate porcelain cups.

Food becomes art with the exquisitely fresh offerings at Farm To Table, a dining experience where ambiance combined with food in perfect harmony.

At a busy Cantonese restaurant we'd never have found without T. C.'s expert guidance, we ended a delightful dinner with this rich, gorgeous cake, reputed to have been Madame Chiang-kai Shek's favorite dessert.

*****

Most of our night market forays concluded with a visit to a temple. Used as I was to the spare, serene, unfrequented shrines of Japan, exploring Taiwan's places of worship was an adventure for the senses. I always came away dazzled by the gold and scarlet, my memories full of the murmur of chanting, the clatter of oracle blocks, the mingled fragrance of incense and jasmine, the riot of gods. Temples and other otherworldly venues will be the subject of my next post, which can be found here.
 
Xai jian for now,
 
CK
 
Note: All of the photographs, with the exception of the pearl tea image, were taken by me on my Canon PowerShot SX110.

Food of the Gods

It's mango mochi. It can only be mango mochi. Disregard the garishly-hued whole items on the plate and contemplate the cut-open white one. That's the thing I mean.




Hub and I buy most of our groceries at the local Asian market because they're cheaper, tastier and more unpredictable than the ones at the regular chains. Every week or so we make the drive to get long skinny Chinese eggplants, chubby striped Mexican zucchini, leeks, chard, pod peas, Thai basil for pesto, as well as Malaysian cream crackers and coconut biscuits. Recently the market started carrying different kinds of mochi, and we bought lots of the matcha (green tea) variety, having loved it since Japan; but last week we discovered mango. Surely the kami favored us that day.

Just opening the box and breathing in the fragrance was heaven, and those little bundt-cake shapes were so adorably cute. Then it only got better: the most tender fresh glutinous rice wrapping , satiny to the teeth, just sweet enough, enrobing an ambrosial smooth mango conserve. I could have scarfed the whole 6-piece box in a sitting, but had to leave some for Hub.

I'm almost tempted to start a food blog.

Finding It Everywhere

Chilly, chilly winds blowing
Lovely spring coming soon

I wear my body like a caravan
Gipsy rover in a magic land
Misty mountains where the eagles fly
Lonely valleys where the lost ones cry

I had a little letter full of paper
Inky scratches everywhere
Always looking, looking for a paradise island
Help me find it everywhere

~The Incredible String Band, 'Ducks On A Pond'

Bleak and gray as the weather's been, I managed to snap a picture of the daffies in my yard whilst the sun was shining. It's hard for me to exercise patience at this time of year, but I take heart in knowing that the days will grow ever warmer, and this terrible winter will die at last.

I've been more active on Facebook lately, because it's a warm feeling to have friends. Although I'll always be a nomad in my heart, and the lyrics I've quoted above have many meanings for me, it's a pleasure to rein in at that Internet caravanserai.

The Kind Gods now has 211 downloads at Smashwords since I posted it a week ago, a response I never expected. I'm working at completing another short story, Everafter Acres, which I'll probably send off to e-zines for consideration because street cred counts, but the instant gratification of Smashwords was what I needed in this gray interval between ice and awakening.

Since its publication only a couple of months ago, The Ryel Saga has sold hundreds of Kindle copies, but so far has only a single Amazon review. I'm of course delighted with it because it's five stars and from the well-known critic Red Adept; I just wish it had more company!

CK

Cutting Diamonds

Update: Since the writing of this entry, The Kind Gods has become one of my

most popular stories at Smashwords, with many thousands of downloads. 

It's now available on my blog, here.  For more of my writing, click here.

Short stories take lapidary patience, and I labor mightily to get the maximum glitter out of each little facet. My latest has gone through many versions, but I'm finally contented enough with the result to put it up on Smashwords, where it will be free to read. The story is The Kind Gods, and here is the blurb:

Did the old gods really die? A warrior seeks answers at the burial-mound of his greatest enemy.

The story has only been up since last night and already has 60 downloads, all of which are of versions not as good as the final cut, which bothers me. I don't want anything but my best to show. Fortunately the cover, which I also made, is exactly as I wish. 

CK

All Me, All Now

INTERVIEW: I'm now among the featured authors at Spad's Literary Potpourri, a delightful blog bringing its fortunate readers "an eclectic mix of art, articles, anecdotes, aphorisms, poetry and brief excerpts from a variety of sources related only by their excellence and timeless quality." Ron Skinner, aka Spad, asks the sorts of questions authors dream of answering, so if you ever wanted to know all about me, here's your chance. It's a tremendous compliment to be interviewed at such length, and so thought-provokingly. Spad is widely read and deeply reflective, and his blog is a daily array of treasures, absolutely free.

I've also redecorated my website, A Writing Life. Colors and format continue to be spare and restrained.

CK

Catching the Glow

When I give a dinner, my favorite time is afterward. The above photograph was taken during one of those relaxed intervals. The weather was still warm with fall just beginning, the hour was late, and people had momentarily wandered out to the deck as I reached for my camera. I muse upon that image and forget, for a happy instant, how cold it is now.

For more of my writing, click here.

The Soul's Secrets

Music, when soft voices die,
Vibrates in the memory. ~Shelley

Recently, a discussion board I frequent asked its members what sorts of music they had on their players. I looked over my Sandisk files and made a list, starting with what inspires me most.

World and ethnic: Milongas, taksims, kizombas, fados, cumbias, rumbas, reels. Klezmer, gitana, Griot, gidayu, sirtos, llanera. Gamelans, kotos, ouds, sitars. One of my most favorite songs is Baaba Maal's 'Lam Tooro,' that always makes me think of swaying camel-back on the Silk Road.

Baroque: Bach, Corelli, Couperin, Rameau, Purcell, Handel, Hayden, Lully, Monteverdi, Scarlatti, Telemann, Vivaldi. I'm wild about harpsichords.

Renaissance: Dowland, Frescobaldi, Machaut, Monteverdi, Gibbons, Praetorius, Gabrieli. I collect versions of Dowland's lute song "Can She Excuse My Wrongs."

Ambient: Air, Michael Hedges, Pierre Bensusan, Shadowfax, Enigma, Sasha and Digweed, Paco di Lucia, Ottmar Liebert, Strunz and Farah, Infected Mushroom, Jazzanova, Gotan Project, De Phazz.

Blues: King (Freddy, B. B., Albert), Musselwhite, Mayall, Clapton, Guy, Hammond, Hooker, Sumlin, Wells, Allison, Vaughn, Mahal, Mo'.

Jazz: Chet Baker, Charlie Mingus, Cal Tjader, Jack McDuff, Ponty, Corea, Metheny, Davis, Monk, Keith Jarrett when he isn't vocalizing.

Celtic: Altan, Lunasa, Celtic Nots, Liz Carroll, Natalie MacMaster, Slainte. I'm pretty picky with Celtic, and like it modal and traditional.

Classical and opera: Beethoven, Chopin, Rachmaninov, Bartok, Dvorak, Satie, Debussy, Faure, de Falla, Tchaikosky, Schumann, Schubert, Puccini, Verdi; not much Mozart. I have a huge fondness for Beverly Sills and Joan Sutherland, and collect versions of favorite arias.

Bluegrass: Ranges from old (Bill Monroe, etc.) to new (String Cheese Incident, Bela Fleck). I collect versions of 'Salt Creek,' and my favorite so far is the guitar duet with Doc and Merle Watson.

Rock: Eighties alternative (stuff that never made it to the commercial airwaves, alas), Motown, Fifties classics, Sixties icons (Stones, Who, Hendrix, etc.), Seventies punk.

The Art of Ending

Note: The story referred to in this post is "Everafter Acres," published by Luna Station Quarterly and free to read at my website or on this blog, both places reachable here.

As the old saying goes, "Great is the art of beginning, but still greater is the art of ending."

It's always good to know when to quit. In anticipation of winter, that clean, sere season, I'm paring down the superfluities in my life, striving for less junk in every form, and more time spent profitably; never getting too comfortable, and traveling as lightly as I can.

Still, as seriously as I take this life of mine--since we know not the day nor the hour when everything will fall apart forever--I never forget to have fun. At present I'm putting the finishing touches on a new short story, dedicated to Anne Braude who was more generally known as Talpianna, that wryly explores what happens after Happily Ever After. I'm sorry she won't be reading it.

CK

Photo taken by me during a visit to Bodensee (Lake Constance). 

Pourvu!

Napoleon's mother wasn't an optimist. Whenever people congratulated Madame Mère on her imperial son's success, she would simply reply, with a slight shrug and a strong Corsican accent, "Pourvu que c'la doure!"--"As long as it lasts!"

My Kindle sales for the past few days have been in the three digits, and I'm delighted. This post commemorates my books' current status as bestsellers in the top 100 of the entire Fantasy category. Ranks change hour by hour, but shining moments are priceless. I thank everyone who's reading me.

Last week the Ryel Saga was included in Barnes and Noble's eBook catalog. I'm so glad I'm no longer sacrificing trees.

CK

Safely Gathered In

The passage of time should have its celebrations. 
I took this picture at a local grocery last week:

 

Links to my writing, including previously published short fiction 

posted on this blog, can be found here.

Where I Am

For a long time I've kept, in addition to my journal, a list entitled Where I Was, distilling the events of a given year into a paragraph per month. It's been very handy for keeping track of travels, happenings, home improvements, significant purchases, and prevailing moods. With that data, I could readily construct a graph spanning several decades, with many a rise and fall.

Lately the graph would show a marked upswing. Ever since my birthday--September 1, the start of my personal new year as I noted in an earlier post--my Kindle book sales have surprised me. In the last month, 130 people have bought my works on Amazon. Very soon, Barnes and Noble will be carrying the e-versions of my books via Smashwords, and I'll have the chance to see if it's really true that good things rise to the top.

More welcome news: although I've been out of the loop for a while, today I received an invitation to attend a fantasy con as a guest professional. It made me remember the wonderful times I had at Norwescon and WorldCon, and convinced me that it's time I got out more. Finally.

CK

The Price of Light

(Information about my other writing can be found here. Happy reading!)

Among the many things that awe me, John Milton's writing is high up on the list, and his poem that inspires this blog's title came very much to mind today. The stranded despair of the opening quatrain grows ever more calm under the warming radiance of faith, and serene resignation magnifies the ending with its immortal, commisserate last line. Milton always makes me feel trivial, and I'm grateful for it. In that spirit of thankfulness I shopped for groceries yesterday in the warm bright afternoon, wishing John could have joined me. This is my favorite time of year to linger around the produce. I love those odd little gourds that never quite look real, and the equally strange but kindly edible big squashes, and the regal hues of Indian corn, and best of all the pumpkins. Amid such reassuring defiant opulence death is stingless, relegated to the shelves of marshmallow ghosts and twinkly-eyed plastic skulls. 

Today it's rainy, a perfect time to stand and wait, or sit and write; they're pretty much one and the same where I'm concerned. When words fail me I can always wander over to Mysoju or Crunchyroll or Dramafever and escape to my lastest passion, Korean multi-series epics. Recently I finished up the splendid Jumong, 80 episodes worth of battle, intrigue, preternaturally restrained passion (not a single smooch in the entire story, despite emotion aplenty), and enthralling acting, especially by Song Il Guk who delivers a channeled, demandingly physical performance as the legendary hero of the tale. Now I'm on to the totally opposite Jewel in the Palace, which concerns itself with the mercilessly imbroglio'd woman's world of the royal court c. 1500, and recounts the tribulations of Jang Geum, who became Korea's first female physician to the king. Since she started out as a kitchen-maid, there are lots of wonderful cooking scenes lovingly filmed; the poignant soundtrack sticks to the memory, the historical recreation is big-budget and meticulous, and the lead actress is simply perfect in her plain, demure, stubbornly principled way. Both series were huge hits in Korea and many places else, and I thank the Internet for the chance to see them subtitled in their entirety. Highly recommended. 

Namaste,

 CK

Detail from a painting by Fausto Zonaro (1854-1929)

Twig By Twig

Tomorrow marks the autumnal equinox, officially the last day of summer. For the past many years I've viewed the event with regret either bitter or resigned, but this one's different. This winter I'll be warmed by memories of harvest and the promise of even greater growth to come.
Some time ago while writing in a forum I invented a character named Yin Qi, an imperial concubine called Autumn Grass by the other court ladies in mocking reference to her advanced age (she was thirty) and inferior rank (she was of very minor nobility, from the barbaric northern steppes). What inspired her creation was a picture by Shibata Zeshin, c. 1870:

The first time I ever saw this exquisite image, the original of which is worth a trip to New York where it lives, I instantly recalled Archibald MacLeish's riskily precious wish that

A poem should be motionless in time
As the moon climbs

Leaving, as the moon releases
Twig by twig the night-entangled trees

Leaving, as the moon behind the winter leaves,
Memory by memory the mind—

A poem should be motionless in time
As the moon climbs.

In a story I've submitted to a flash fiction journal, I describe the moon through a warrior's eyes, as a shield of gold dented from countless blows. [Note: the story was accepted, and can be found on this blog at  https://carolynkephart.blogspot.com/2022/01/short-fiction-kind-gods.html.]

It is always best to fulfill old dreams before moving on to others. Then on to everything else, uncounted pages else. It doesn't matter, the passage of the equinoxes. I will move as the moon climbs.


CK

The Lady and the Mage

(Note: information about my other writing can be found here.)

I enjoyed writing Last Laughter so much that I'm thinking of more short stories involving my as yet anonymous Countess and Cyril Dagleish Dacier, the Thaumaturge Royal. When I began the tale, I thought of it as typical standard fantasy set in a semi-medieval world, but by the end it felt (to me, anyway) decidedly Edwardian, hence the court mage's quaintly British name. I never thought I'd ever write anything steampunk, but there it is, with perhaps more to come. Last Laughter is now fully corrected and will be at Silver Blade for an entire quarter-year; I hope it garners lots of readers. The Kindle and other digital versions of my novels are finding a wide audience, and I couldn't be happier, more optimistic, or more energized. 

Namaste,

CK

Hot Off The Presses

I'm happy to announce the publication of my short story 'Last Laughter,' now appearing in the current issue of Silver Blade Fantasy Fiction. The entire site is very attractive, and my story has a terrifically scary/funny/witty cover, plus other illustrations.

There are a few corrections that will be made in the next day or so. A phrase in the first paragraph should read "Whenever his behavior became simply too appalling."

Another short story, 'The Kind Gods,' will hopefully be hitting print fairly soon. And I've finally gotten around to finding the right ending for another yarn that I've been fussing over for ages, 'The Heart's Desire.' The two couldn't be more different: one is a Vikingesque afterlife dilemma from a warrior's perspective, and the other's set in an all-too-near future involving a government scryer and her discovery of the ultimate secret language.

I'm having fun.

CK

Flowering Fortunes

In the Byzantine calendar, September 1 is the beginning of the new year. Since I was born on that date, I always (or at least since I became familiar with the Byzantine calendar) consider it my personal New Year's Day, promising another fresh start.

This could well be one of the best creative years I've had in a long time. Last week, the rights to my two novels reverted exclusively to me, and I've decided to make both books available solely as digital versions for the time being. No sooner did they appear on Mobipocket the other night than they began generating sales. Today, Smashwords (which carries my short story 'Regenerated') sent me an e-mail announcing their affiliation with Barnes and Noble, for which my books will apparently qualify. My short story 'Last Laughter,' to appear in a few days as part of the fall issue of Silver Blade, will be yet another birthday present.

I'm now working on combining Wysard and Lord Brother into a single volume as they were originally meant to be, including in the text all the passages that fell to the cutting-room floor because of page constraints in the paper versions. Many other projects are competing for my attention, though, and I'll try to give them all quality time.

Among those projects will be a story dedicated to a friend who recently passed away. Anne Braude, better known as Talpianna to the numerous acquaintance that cherished her, affected my life more than her gentle whimsical nature would have ever taken credit for, and I know I'm not the only one so privileged. Namaste, Anne.


CK

Coming Soon...No, Really

One of the most macabre yet sincere compliments I've ever received came from a friend about half my age who read my books soon after their publication, and commented that the emotion they most evoked in him was sadness, because someday fairly soonish I'd be dead and he wouldn't be able to read any more of me. Charmed, I assured him that by the time the Reaper came to collect, I'd have a dazzling oeuvre of at least a dozen more tomes to swell my legacy.

Now it's a decade later and I'm tired of feeling guilty. Making Wysard and Lord Brother available for the Amazon Kindle has gained me many new readers and I'm very grateful, but only guys like Homer get away with just two books to their credit. Yes, there were reasons, some of them dire, for my lack of output, but that was then. I have four novel manuscripts in varying stages of completion, and they will be completed, but I was hankering for the sweet taste of some immediate recognition, so to that end I dusted off a short story that had been moldering in my skull for years, finished it, and sent it out into the world. 'Last Laughter,' a fable involving a wicked court jester and his comeuppance, will appear in Silver Blade Quarterly at the end of this month. It's a free read, and I welcome comments.

Lots more to come. Finally.

CK

On Shining Brightly

This last month of summer makes me want to hold on to the heat and never let it go. The inevitability of another year's demise makes me restless and brooding, ironic in a time of harvest. The Zen way, which I admire, is to give one's full mind to the Now and to treat every action as a ritual; I've been trying very hard to be as conscious as I can of every moment, and in doing so I realize just how necessary reflection is to the health of the spirit.

When speaking of reflection, I don't mean the current hyperactive obsession to make oneself an object of dedicated perpetual scrutiny. There is nothing more limiting than self, and when it comes to the things of the mind, people desperately need to get out more. It's crucial for the betterment of the world, which is quite literally dying for a dose of sublimity. The worst of what we are is being exalted. Popular entertainment is mining our baseness and reaching rock bottom. Most of what purports to be uplifting is doing it for the dollar, and is cloying and condescending. It's bafflingly, appallingly childish, this joy in kicking over what was built with care, in smearing and scrawling, in the gleeful obsession with the low and the vulgar.

When a toddler tries to run out into the traffic, it's testing the gentle caring arms that will pull it back into an embrace that is meant to sustain as much as restrain. The current state of societal arrested development both annoys and disturbs me, but more babysitters isn't the answer. We need to be better parents to ourselves, and grow not only up, but outward. We need to quit stuffing our selves with junk and defacing our minds and bodies and deliberately putting ourselves in harm's way simply because there's no one there to stop us. Little children are precious beings full of promise; why should that be any less true all their lives?

CK

The Way Of The Sword

(Note: information about my other writing can be found here.)

I'm ferrying over the last of my Amazon posts here like Robinson Crusoe, because I'd wanted to include the description of my butsudan now that I'm in the midst of watching Musashi, where those little shrines feature frequently. (Photo of my butsudan appears at the top of this page; click for larger image.)

Having enjoyed the 2008 Japanese public television drama Atsuhime (described a few posts down), I moved on to Musashi last week, expecting the same gorgeous, decorous inaction. I couldn't have been more surprised...or thrilled. Musashi takes place in a man's world, where the way of the sword is exalted and all other considerations are deemed secondary, if not worthless.

Musashi, the story of Japan's legendary fighter, began as a nearly 1000-page novel written by Eiji Yoshikawa in 1935, and has gone on to sell 120 million copies and inspire 36 films. Watching the 50-hour televised version (2003) is like enjoying the novel as it had been conceived, in serial format.

I knew I wasn't in the Shogun's Ooku (women's quarters) any more when the story opened with the aftermath of the Battle of Sekigahara (1600), and the young soldiers Musashi and his friend Matahachi struggled their way out of heaps of dead bodies steaming in the cold dawn. The action follows the novel with faithful attention, all the performances by the numerous cast are flawless, and the gritty realism, especially coming after Atsuhime's courtly decorum, is often startling. The lead is played by a rivetingly charismatic young Kabuki performer, and the rest of the cast make up a Who's Who of Japan's acting talent.

So far I'm at Episode 28 and have witnessed every kind of desperate peril and deadly combat, along with tender devotion, offhand lust, remorseless hatred, gnawing inner anguish and hilarious broad humor, all amid striking scenery, engagingly ramshackle towns, and those exquisite interiors, rustic, regal, or religious, that Japan is famed for. The plot teems with ronin, thieves, magicians, brigands, ninja, madmen, warrior monks and nobles. The women range from demure maidens to brazen harlots, vengeful hags to dauntless warrior-lasses. The swordplay's constant, vicious, and uncannily graceful.

But I'm enjoying Musashi most because the underlying theme is love, the kind that makes great sacrifices without regard to self, denying one's own happiness for a greater good. Miyamoto Musashi only gradually becomes a hero, owing his transcendence to the wise and gentle people he meets in his wanderings, who teach him that without beauty, life is meaningless, and that the creation of beauty is man's best employment; that the way of the sword is an empty, futile path. The final showdown looms, but I'm taking the story slowly, savoring a world that seems alien to the point of fantasy to my Western eyes, and yet so fundamentally, placelessly, timelessly human.

How I wish I could read the novel in the original! Ah well, perhaps next life.

The portal to all of Musashi's online episodes is here.

CK