The occasional observations of Carolyn Kephart, writer

Thursday, March 17, 2011

Double Happiness Chocolate Cake

 Life can always use a rich bit of sweetness. Today I made my never-fail Italian chocolate cake, and feel as if I really must share it with the world. It's easy, simple, and never goes wrong, highly desirable qualities under any circumstance but absolutely heavenly in this instance.

Note: This recipe doesn't require a mixer. A wooden spoon works fine, although I use a whisk to stir the batter once it's assembled.

  Double Happiness Cake

The Yang of dark rich chocolate cake
Meets with the Yin of smooth delicate chocolate cream,
And both meld in a glazed caramel Nirvana.

This recipe makes a European-style single layer cake frosted with ganache and drizzled with caramel. Measurements are American, with the assumption that your butter is 4 sticks to a pound. The sequence of steps begins with the

Cake:

1 stick butter, room temperature                                       

1 ½ cups white flour
1 ¼ cup white sugar            

1 tsp. baking soda 
1 tsp. baking powder
2 eggs                    

½ tsp. salt
½ cup Hershey’s cocoa powder        

1 tsp. vanilla
1 cup hot coffee

Cream the butter with the sugar. Add eggs one by one and beat to golden smoothness. 


Stir the cocoa into the hot coffee until blended, and pour into the butter mixture. Add dry ingredients. 

Whisk well and pour into a well-greased and floured 9-inch round baking pan lined at the bottom with waxed paper. Bake at 325 degrees for 30 minutes. The critical part is not letting it bake too dry, so watch the last few minutes closely. This cake never fails. Promise.
 

Ganache Frosting: Heat 2 cups heavy whipping cream in a saucepan along with an 8 to 12-ounce bag of semisweet chocolate chips depending on how strong you like the flavor. Refrigerate until it’s thickened, then whip it to a fluff and frost the cake with it. Once you’ve done that, move on to the finishing touch—

Caramel Drizzle:

1 stick butter
1 cup firmly packed dark brown sugar
¼ cup milk
1 tsp. vanilla
2 cups confectioner’s sugar

Melt the butter in a small saucepan (use a nonstick one if you have it). Add the brown sugar, and bring the mixture slowly to a boil. Add the milk in a stream, whisking all the while, and bring the mixture to a boil again. Remove the pan from the heat, let the mixture cool to warm, then stir in the vanilla and slowly add the confectioner’s sugar sifted through a sieve, beating to a smooth consistency. Drizzle this in Jackson Pollock style over the cake. 


Variation if you have the time: Split the cake and fill it with the ganache, then top with French chocolate glaze, then apply the caramel drizzle. This is what I do if I'm feeling very fancy.

French Chocolate Glaze: Put a half cup of cocoa powder into a glass bowl with about ½ cup of sugar, a lump of butter, and a dash of water. Microwave about 15 seconds. Take it out and stir to get everything mixed smooth. Microwave again for about 30 seconds and stir again; add a dash of vanilla. You’ll know when it looks right. It’ll thicken a bit as it cools.

Serve each slice with a dollop of sweetened whipped cream sprinkled with cocoa. Accept the inevitable homage with grace and serenity.

CK



Sunday, March 13, 2011

Remembered Beauty

“From the withered tree, a flower.” ~Zen proverb

I've loved Japan since childhood, and the beauty of its culture has continued to enrich my life in countless ways. Its language is able to define the ineffable: wabi-sabi, shibui, mono no aware, mottainai. Visiting Tokyo and Kyoto in 2008 was the fulfillment of a dream for me, and now as I try to comprehend the horrifying news images from the earthquake, what I most remember is how kind everyone was, and how gracious and patient. Those memories give me hope.

Out of my wrung heart, the wish to live mindfully, spending each instant in the best possible way; to do all I can to help as much as I can. Out of the withered branch, a flower.

The following photographs were taken by me during my Japan visit, and reflect the spiritual strength I found everywhere. Click twice on them for the biggest view. (For a related post, see https://carolynkephart.blogspot.com/2008/11/deep-sweet-ineffable.html.)

A granite prayer wheel. Heavy as it looks,
the slightest touch moves it -- a lesson in stone.



A quiet shrine on a rainy day.

The Buddha of Old Fans,
its altar-table piled with offerings.

A favorite temple, serene and restful.

A Buddhist monk chanting in the street.

A shrine fountain with the inscription
"I live for the joy."




CK

Thursday, March 10, 2011

Smashwords Read An E-Book Week Sale

I'm late about getting around to this announcement, but...

As part of the ongoing Read An E-Book Week celebration, all of my novels are on sale for half price at Smashwords with the coupon code RAE50, including The Ryel Saga: A Tale of Love and Magic. My short fiction, which is getting thousands of downloads, is still free (all five stories are collected in a single volume, PenTangle: Five Pointed Fables, also half price).

Mark Coker*, you rock!

CK

*Founder of Smashwords and all-around great guy

Thursday, March 03, 2011

Springing Forward


I'm delighted to announce that Luna Station Quarterly has published my wryly nostalgic fairy tale Everafter Acres as its Spring issue Story of the Week. The encouraging reception of my first humorous work of fiction just at the start of my favorite season is inspiring the light-hearted side of me, and I can promise that more droll tales are in the offing. 

Click on the image to read it, with my compliments. More of my writing can be found here.

:-)

CK

Tuesday, February 22, 2011

So Much Now

The worst of the year is officially over. Yesterday I found daffodils blooming in the back yard, fragile but dauntless, pushing their gentle way through the litter of dead leaves. The contrast of fresh green and yellow against the withered browns and grays is a reassuring triumph. Winter can't last. Sorrow has a limit. We take strength, and move into the light. I look forward to warm breezes and bared limbs, and hopefully some baby foxes scampering around the brush pile in May, as they did, enchantingly, a couple of years ago; I saw what looked very like the mother fox today, who seemed to be considering re-tenancy.

The other day I completed She of the Silver Feet, a short story unlike anything I've ever written before, very light and frothy on the surface but roiling with implication, and am sending it to magazines. I'm delighted that another of my short pieces, a fairy-tale pastiche called Everafter Acres, will be published March 1 in Luna Station Quarterly.

Namaste,

CK

Tuesday, January 25, 2011

Just For The Lovely

By wonderful chance I found The Kaleidoscope Painter last night. It's free, charming, and gorgeous--the perfect antidote to cold gray winter. Here's a pattern I constructed in a few seconds:

  
I love to just put the designer on Auto and enjoy it as my mandala mantra while I meditate. There's a Valentine Kaleidoscope maker, too.


And for another small escape, Fly Guy is a classic. Just load the game at the site, click the arrows, soar, and explore.



Have fun!


CK

Sunday, January 16, 2011

Imperial Opulence

The new Sovran of Almancar had swept in like another sunset, arrayed magnificently in trailing raiment of deep rose satin brocaded in emerald-blue. A light mantle fell in a rustling torrent of gold-silk mosaic, its collar framing his head, its folds rippling about his shoulders to the ground...


The fabled city of Almancar is one of my favorite places in The Ryel Saga, because it is synonymous with the most refined luxury. It was a deep pleasure to create, and in doing so I drew from many times and places. Medieval Japan was a great influence. When I visited Tokyo and Kyoto in 2008, I was surprised at how much of the ancient glory not only survived, but thrived. In particular, the elegant garments that inspired the golden robes of my novel's nobility are still being made. The uchikake, at one time daily wear for Japanese aristocratic ladies, is now strictly wedding finery, to be worn by the bride during the ceremony and never afterward. Such magnificent garments take a year to create, and no two are alike; they are made of the finest silk, splendidly woven, dyed, and embroidered, and as is only fitting, they cost a fortune. A uchikake is worn beltless, as a coat atop the kimono; its padded hem trails several feet, and its hanging sleeves just clear the floor. With its elegance, opulence and otherworldliness, it is truly the garb of fantasy.


For the sultry climate of Almancar I made the uchikake much more light and airy, but changed nothing of its grandeur. Both men and women wear them in my novel, but exorbitant cost and stringent sumptuary laws limit their use to the wealthy and the nobility. The sole exceptions are the courtesans of the Diamond Heaven, Almancar's famed and magnificent pleasure quarter, and that district's clientele, who come from all over the world to taste the ruinous delights of the place.


Here are some glorious examples. Click the images for larger views, and imagine the rustle, the gleam, the grace.





 


CK

Sunday, January 09, 2011

La Belle et la Bête

NEWS: I'm delighted to announce that in the last week I've received an award for Top Indie Fantasy of 2010 at the well-regarded site Red Adept Reviews.
*****
I seem to write only fables. All of my short stories are about lessons learned the hard way, and the Ryel Saga's ending fulfills with bittersweet irony the prophesy uttered by one of the story's most equivocal characters: 'You will have what you wish, but not as you wished it." The novel I'm now finishing, Faustine, is grounded in myth and legend, with a female protagonist embroiled in the classic diabolical bargain.*

The other day I was browsing the free movie site Veoh and to my happiness found one of my all-time favorite films, Jean Cocteau's La Belle et La Bête. I hadn't seen it in many years, and while I loved every moment of the re-acquaintance, I especially savored being able to replay the Beast sequences to my heart's delight. Everything about the Beast is riveting--his feral grace, his dark bejeweled Cavalier garb, his growly voice's savage inflections and courtly phrases, his ravenous desires quelled by the most tender adoration. Baroque, Byronic, utterly irresistible.

My favorite scene occurs midpoint in the film. The Beast has returned reeking from the hunt, his fangs and claws stained with fresh blood, his elegant attire muddied and torn. After a moment's hesitation he shoves open the door to Beauty's chamber and scans the room with burning eyes.


But Beauty is absent. "Ou est Belle?" he shouts in rage and terror to her mirror; and the glass reveals her robed like an angel, listening at the door. When she returns to the chamber and demands that he leave, the Beast, quelled by her fearless indignation, stammers that he merely wished to offer her a present, and it forms by magic in his bloodied hairy hand: three strands of great pearls, the gems of innocence clasped by diamond roses, reminding us that until Beauty came into his life the Beast considered roses 'the things I most love in all the world ' (ce que j'aime le mieux au monde). Disregarding the gift, Beauty again orders the Beast to leave; but her tone is more gentle the second time.

As he departs without a backward glance, his steps unsteady, the Beast passes a statue of a nymph; his hand grips its shoulder for support, then slowly travels downward to caress the bare marble breast of the image in a poignant gesture of regret and yearning. I'd never noticed this before, and it gave me chills, for it is the only overtly sensual act in the entire film, and leaves no doubt as to the Beast's intentions.


Since 1946 when this enrapturing film was made, cinema has become a thousandfold more complex, but no amount of special effects can take the place of heart. See it if you haven't yet, and watch it again if you have; one can never have too much beauty.

CK


(Click the photos to enlarge them; they deserve it!)


*Update, 17 December 2013: This book was completed in 2012 and published under the title Queen of Time. It's currently available digitally and in paperback at most online booksellers; the first chapters can be read gratis at my website Carolyn Kephart: Tales of Love and Magic.

Friday, November 19, 2010

Just Out!

I've gathered five of my short stories into a collection entitled PenTangle: Five Pointed Fables. It's available for the Kindle at Amazon.com, and will be appearing soon at Barnes and Noble, Smashwords, and various other e-book stores. (If it isn't listed as available, give it a day or so.)

Although I'd originally thought of using an actual pentangle for the cover, it looked too literal and didn't really fit the content. I finally decided on a starfish, because they're so strange and lovely.


The stories are all very short, fantastical, and meant to elicit reflection:

   The Kind Gods: Did the old gods really die? A warrior seeks answers at the burial-mound of his greatest enemy.
   The Heart's Desire: A government scryer's life is a prison until she and her bodyguard discover the ultimate secret language.
   Last Laughter: A cautionary tale about a wicked court jester and his comeuppance. First published in Silver Blade Fantasy Quarterly.
   Regenerated: Cela always hoped she’d find Jorgen again someday…but was this really Jorgen? A tenderly bitter tale of love and giant lizards, first published in Quantum Muse.
   Everafter Acres: Happily Ever After isn’t always perfect, but dark knights can be illuminating.

Five's my lucky number, so I'm hoping the book does well.

CK

Friday, November 12, 2010

Hot News

Today my novel The Ryel Saga: A Tale Of Love And Magic is being featured on the popular e-book site Daily Cheap Reads, and as an extra boost to the day I've been interviewed at Two Ends of the Pen, a terrific writers' blog.

What a great way to end the week!

Sunday, October 17, 2010

Unreasonable Things

Oh, reason not the need! ~King Lear

During the Fall season I become at once nostalgic and merciless. I remember the past and either want it back or wish that it had never happened, and I sort out and/or get rid of whatever I feel I no longer have a need for. Useless knicknacks and trinkets, clothes that no longer suit me, shoes that never were comfortable, books and magazines that only take up space and collect dust, beliefs that no longer hold water...away with them. Winter is a spare, lean season only weeks away now, and I want to meet it on its own terms.

But some things I keep in defiance of mutability or reason. I love paper with a scribe's reverence (I love pens too, but that's another fetish for another blog entry). Empty books I'll probably always leave blank, delicate handmade washi  I just like to look at, origami paper too lovely to wreck by folding...I keep them safe and dry and bring them out now and then to contemplate, imagining possibilities. Here are some I recently collected on my travels to Japan and Taiwan; click on the images to enlarge them.

 Very fine origami paper. The picture doesn't do justice to the splendor of the gold highlights.

 A Japanese gift topper. I just can't bear to give it away yet.

An empty book that says it all, in shiny white with black flocked velvet. 
Anything I wrote in it would seem futile.

I suppose I acquired this in the naive hope that the contents would magically open up into the swan pictured on the wrapper. Had I looked closer I'd have realized that I'm expected to construct the bird myself from the enclosed myriad of tiny pink and red squares of paper. Maybe in my next life...

A couple of extremely teensy models (only a couple of inches high) based on very large buildings. I can't bring myself to pop them out of the cardboard and construct them.

A perfect notebook for an ironic angst-filled autobiography.
I'm saving it for later.

Regarding writing matters, I was recently interviewed by David Wisehart on his popular blog Kindle Author. David asked an intriguing array of questions that I greatly enjoyed answering. See what you think!


Namaste,
CK




Saturday, October 02, 2010

Visions Of The Mystic East, Part Three


The two earlier installments of my Taiwan travels focused on exotic cuisine and gorgeous temples. This final segment will concern other aspects of Taipei, and some attractions outside the city. As with the first two parts, I was the photographer; click the images twice for the biggest view.

The bamboo-inspired tower of Taipei 101, which until recently was the world's tallest building. Within its towering shadow lies the city's upscale fashionable district, where European-style luxury combines with an elegance uniquely Eastern.

Inside Taipei 101's world-class shopping mall. Besides the trendy high-end boutiques one finds the world over, there were shops on the top floor's viewing area full of museum-quality Eastern jewelry and sculptures in coral and jade, with equally fabulous prices. I contented myself with the panorama of the city, watching as the sun slid into the mists, night stole over the land, and the lights came on little by little until everything sparkled as far as the eye could see.

Ooh la la! Frothy finery at one of the dozens of full-service bridal establishments on Taipei's 'Wedding Street.' Marriage is a very big business in Taiwan, with every step of the elaborate ceremony painstakingly planned and no expense spared. Brides change outfits several times during the big day; this gown seems destined for an especially grand ball.


This picture is so Taipei--a pearl tea break with a 
clearly cherished pet along for the ride. 

The entrance of Taipei's huge Jade Market. Antiques and other rarities are also sold there, making it a wonderful place to while away an afternoon. Expertise in jade takes long study, and I confess I couldn't see what made one bangle cost ten times as much as another; they all looked lovely to me.

Not everything in the Jade Market was expensive. These stone bead bracelets were only a couple of dollars apiece, and kindred bargains abounded.

The Flower Market is right next door to the Jade Market. Both take place only on weekends, and are thronged by tourists and townsfolk alike. Fresh flowers are a way of life in Taiwan.

Antique implements once used for drying the island's fragrant, famed Oolong. These were in the workroom of Taipei's oldest existing tea shop, where the proprietors, two charming sisters, gave us an after-hours tour of the premises and a tasting of rare brew thanks to T. C., who seems to know everyone!

Hip little bhikkus in a Buddhist religious goods shop. It was very hard to maintain my Zen equilibrium and not take one home with me, but I contented myself with a pair of moon blocks for my own personal divinations.

A view of Taipei's superlative subway--always spotless, civil, and on time to the instant. It's usually much more crowded than this picture shows, but we were coming home late from a perfect evening at the lively seaside district of Danshui, where Taipei goes to play on the warm summer nights.

A view not of a court lady's pavilion, but one of Taipei's restful parks. Every inch of the pond's surface was crowded with huge sweet heavenly pink lotuses, one of the glories of early summer in the Orient.

A surprise moon window view in a quiet neighborhood street. Every corner I turned in Taipei, I found something fascinating.

An exhibit demonstrating how the once-notorious Snake Alley in the old Dihua district got its name. Thanks to recent municipal improvements in the form of a new covered arcade and bright lighting, the place isn't nearly as raffish as it used to be.

Outside of town:

Besides exploring the city, we had a chance to visit some fascinating places on the outskirts, thanks to the kindness of Hub's colleague Otto Kong. As a pleasant finale, he and his wife invited us into their home for a memorable dinner of the freshest possible fish.


The serene spiritual fortress of Dharma Drum Mountain. Our visit there was an experience in order, generosity, kindness, and being deeply and happily at one with the world.
 
The midday meal at Dharma Drum is provided free of charge to the retreat's hundreds of visitors. Despite the crowd, everything was so well-organized by the numerous volunteers that we were served in a matter of minutes. The food was vegetarian and simply delicious; I finished my bowlful down to the last grain of rice.

Buddhist nuns at Dharma Drum. The moment I said hello, they all smiled and greeted me with the Namaste. Their grace and sincerity were deeply moving.

Otto showed us yet more equally unearthly, unforgettable places:

Natural statuary at Yehliu Geopark, an incredibly strange and 
beautiful landscape on the edge of the sea. 

The park's most famous formation, 
The Queen's Head. 

The above image really must be clicked twice for the full enlargement. On a prime location overlooking the ocean stands this fantastic city, inhabited solely by the dead. Confucian tenets honor ancestors, and palatial tombs like these attest to the most profound filial piety. The day was drizzly and gray and the place was deserted, adding to the solemn, eerie atmosphere.

A stucco relief (huge, covering an entire wall) portraying a gathering of the gods, in an eye-bogglingly gorgeous temple at an otherwise plain little town named after the goddess of mercy, Guanyin.

I'll always be grateful that I had a chance to visit such a fascinating country. As a final image for this, my third and last Taiwan blog post, here's a pair of perfect bunches hanging out at a favorite fruit market:

I hope you enjoyed the travelogue as much as I enjoyed the trip! My upcoming posts will be all about Fall, the season that resonates most with me.

CK